7 April 2024
Some people love Eurovision. Others don’t get it. But beyond the camp and kitsch of the annual song contest there’s much to observe about the politics of Europe and the wider region. In this episode, author and broadcaster Dave Keating starts with discord between Sweden and France over language. The sourest notes were struck in the mid-1970s after the Swedish group ABBA won with a song in English alluding to the historic French defeat at Waterloo. The French then stepped up their campaign against contestants using lyrics other than in their national languages. The so-called ban on English was only lifted in 1999 just as Sweden was once again emerging as a pop music powerhouse and as Eastern and Central Europe states were emerging from behind the Iron Curtain. They too were keen to sing in English. Since the turn of the century Eurovision has been buffeted by tensions between Russia and countries like Georgia and Ukraine that have used their performances to denounce Moscow. The dissonance has sorely tested the European Broadcasting Union, the state and public media alliance covering 56 countries behind Eurovision. Russia has traditionally been a major TV market for the contest and the Union only excluded Russian participation in 2022, after the full-scale invasion of Ukraine. In the build-up to this year’s contest in Malmö, Sweden, on May 11, the focus has been on Israel’s entrant Eden Golan amid the ongoing bloodletting in Gaza. Despite an outcry from artists and performers against the participation of Israel — and despite accusations of double standards now that Russia has been excluded — Golan looks set to perform. Israeli visitors to Malmö have been advised to keep a low profile while Swedish authorities have said they’re well prepared for protests, including inside the contest arena. Read Dave’s latest Substack about Eurovision.
